I saw this un-fucking-believable Canadian band the other night in Kennedys or the Boom Boom Room or some other underdog venue that you wouldn’t have thought of checking the listings for. They played this really bizarre, incredibly inspired music… it was like a cross between twee and post-rock. And they had more members than the Polyphonic Spree. I am not shitting you.
Well no, I am shitting you. I was at Handel’s Messiah, performed by the University of Dublin Choral Society with the Dublin Sinfonia in the Public Theatre in Trinity (a venue notable for its gigantic portrait of Queen Elizabeth staring down damning all Catholics). I did this mainly because my friend (who sounds normally like a suburban Ronnie Drew) was in the bass section of the choir.
I unfortunately do not have the required training to talk in an informed way about opera (is it even opera?), but I had a good time. Several of my friends left after the first half (which was an hour long). I can understand why. But I enjoyed it. The only thing I can do is draw parallels with things I know. Some bits did what those really shivery Radiohead bits do. Other times, there was too much harpsichord for my taste. Still. HALLELUJAH. What a song.